Thursday, May 29, 2008

44: 10 albums I’m listening to on my iPod (5/27/08)

Here's a little list of my current earphone stimuli:

Arcade Fire, Neon Bible: My favorite album of last year, still in rotation.

Black Mountain, In The Future: Solid rock album in the tradition of Queens of the Stone Age and Rush (if that makes sense at all...).

Bear McCreary, Battlestar Galactica Season 3 soundtrack: One of my favorite music scores on television, and with the reworking of a Bob Dylan tune no less!

Death Cab for Cutie, Narrow Stairs: Really good album here.

Foo Fighters, Echoes, Silence, Patience and Grace: Recently got back into this album after a mild lapse.

Kanye West, Graduation: Not his best album, but still some great tunes.

Nine Inch Nails, The Slip: A good album for free? That's what I call thinking outside the box.

Nirvana, Nirvana: A must-have compilation of solid tunes from my teenage years.

Radiohead, In Rainbows: Dind't think this album be hanging around my playlist this long, but I guess that's a good sign.

REO Speedwagon, The Hits: Yea, I said it. REO Speedwagon. Want to take this outside? Let's go then! C'mon!

(long pause)

Hang on, I have to finish listening to "Keep on Lovin' You"...

Tuesday, May 20, 2008

43: stimuli for May 19, 2008

DVD: "Cloverfield": Not a bad movie, and luckily doesn't wear out its welcome. By no means is it the greatest thing since the electric car, but it's a decent enough diversion.

MUSIC: Nine Inch Nails, The Slip: Generally when I hear the words "free album", I start thinking bad things. In this case, I was wrong. Not the greatest NIN album, but certainly not the worst.

Death Cab for Cutie, Narrow Stairs: Almost missed this one on my shopping list, and boy is this album a good one. Plus, who do you know who would release an 8 1/2 minute song (featured on my mySpace profile page, BTW) as their first single? Among my favorite albums this year.

Thursday, May 15, 2008

42: Glutton for Punishment (or how Henry: Portrait of a Serial Killer messed up my sleep)

You know, I happen to occasionally mess up my valued sleep in some way or another. Sometimes I think I bring this kind of pain on myself, whether it be through finishing papers at the last minute or finishing my own personal stuff. In this case, I did it through watching late-night movies on cable. While I watched the Japanese serial killer movie Vengeance Is Mine (one I haven't seen in a long while, but still a bizarre retelling of a serial killer in Japan during the 1960s), that isn't what effed up my sleep. The following movie did that work for me in half the time Vengeance did. That movie?


Henry: Portrait of a Serial Killer.



Yeah.


Now, I have heard of this movie before, and honestly didn't watch it (albeit a few brief clips that have popped up here and there) until now. For ye not in the know (or just not interested in emotionally scarring yourself, and I wouldn't hold it against you), let me explain something about Henry: the movie is a very cold and mostly fictional story based on serial killer Henry Lee Lucas, who claimed to have killed several hundred people during his reign of terror (most of which were proven false). This 1986 movie was not a mega-budget affair (it was made in Chicago for around $100,000), and got held up in ratings purgatory (the dreaded X rating, although in retrospect it wasn't for gore) until it was released unrated in 1989.


The reason it got so much controversy is because of the very creepy way the murders are committed. You don't have a killer smiling or pontificating about his evilness (like say, Silence of the Lambs), but you have a man who kills people in the way people hunt and kill deer: without pause. Instead of a master villain like Hannibal Lecter, you get a true and unnerving sociopath in the form of Henry. This of course is helped by Michael Rooker, who plays Henry (who you may have seen in Slither and Mississppi Burning, among many others) and makes him truly terrifying. You've met guys like Henry before, and when you do, should rightly run in the other direction. Which of course, makes the end of the film even more shocking (I would compare it to the subtle way we as an audience know Anton Chigurh has killed someone offscreen in No Country for Old Men).

While some may think the idea of mid-1980s horror movie that can still be creepy today seems implausible, please keep the following in mind: this is during the advent of VHS and camcorders. The film uses our killer and (at first) reluctant companion's discovery of a video camera to tape their crimes to comment on the voyeuristic tendencies to sensationalize brutal crimes that is in full bloom today. As Henry's friend Otis rewinds the taped murder of a small family (the movie's nastiest sequence, shown through the view of a camcorder's viewfinder), Henry can only ask what's he doing. Otis calmly says, "I want to see it again." And if you wanted to do the same back then, you might be as sick for wishing it. Now, you could linger on brutal crimes over and over again on almost every new network on primetime alone. It makes a CSI rerun look as tame as an afterschool special. Ewww.

The only judgment made against Henry's actions is what the audience thinks. There's no celebration of the murders of innocent people. There is no comeuppance or assurance of good prevailing against evil. It's just happens, and will seemingly go on (if not by Henry, then by some other sociopath brewing in our society) as the twenty years since the movie has proven.

What I'm trying to say is this: I don't think Henry: Portrait of a Serial Killer is the exploitive trash that many of its detractors would suggest it is, but it might be the most unsettling movies about modern sociopaths I have ever witnessed (and this is from a man who saw the remake of Godzilla...in a movie theatre). It's a good movie for its subject matter, but by no means is this movie for the squeamish or easily traumatized (I can now understand how my older sister felt after watching the end of Seven). I don't regret seeing it, but I'm really not jonesing to see it again anytime soon.

(And if I didn't do an adequate job of warning you about how disturbing this movie is and you decide to watch it, PLEASE don't write me complaining how it screwed you up, okay? If you don't want to risk your immortal soul, write to me for a plot summary. I'm sure I can encapsulate it for you in a less soul damaging way. Or look it up on Wikipedia. Whatever works for ya.)